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The Met: Live in HD season kicks off with Mozart’s satirical comedy of fickle young love, one of the composer’s most sublime creations. Phelim McDermott’s “colorful, inventive” (The New York Times) staging, inspired by Coney Island in the 1950s, sets the uproarious story at a boardwalk amusement park, where the two pairs of lovers at the heart of the tale find themselves on one emotional—and literal—thrill ride after another. Soprano Federica Lombardi and mezzo-soprano Samantha Hankey sing Fiordiligi and Dorabella, opposite tenor Duke Kim and baritone Andrey Zhilikhovsky as Ferrando and Guglielmo. Bass-baritone Gerald Finley stars as the cynical Don Alfonso, with soprano Ana María Martínez as the witty maid Despina.
Two of opera’s most extraordinary artists star in Verdi’s thrilling take on Shakespeare’s immortal tale. Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both. Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo.
Sacred, scandalous, and irresistibly alluring, Saint-Saëns’s spectacular take on the biblical hero of legendary strength and the seductive Philistine whose beauty overpowers him returns in the Met’s larger-than-life production. Featuring a massive orchestra and chorus and some of opera’s most spellbinding tunes, this masterpiece of French grand opera is a feast for the eyes and ears. Giacomo Sagripanti conducts an electrifying cast led by the formidable star pairing of mezzo-soprano Aigul Akhmetshina and tenor Clay Hilley.
Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Vida Miknevičiūtė makes an important Met debut as the larger-than-life Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver rough justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures.
Following his smash-hit company debut with The Hours, composer Kevin Puts returns to the Met with his Pulitzer Prize–winning first opera, inspired by the true events of the 1914 Christmas truce, when soldiers spontaneously set aside the horrors of the First World War and crossed the trenches to mingle, exchange gifts, and sing carols with the enemy. A poignant depiction of shared humanity in the most inhumane circumstances, Puts’s grand, cinematic opera—with a libretto by Mark Campbell based on the film Joyeux Noël—has been widely acclaimed since its 2011 premiere, hailed as “an overwhelming emotive experience” by The Guardian. Silent Night receives an evocative staging by James Robinson that takes the audience directly to the battlefields of the Western Front. The star-studded cast, featuring soprano Elza van den Heever and tenors Ben Bliss and Rolando Villazón, among many others, is conducted by debuting maestro Dalia Stasevska.
Following her radiant performance in Gounod’s Roméo et Juliette—which garnered raves for “high notes that spun like liquid gold... Sierra touched the operatic firmament” (The New York Times)—superstar soprano Nadine Sierra takes on another alluring French heroine, the irresistible title character of Massenet’s passionate drama, live from the Met stage to cinemas worldwide. Leading tenor Matthew Polenzani is her idealistic lover, the Chevalier des Grieux, with rising-star baritone Andrzej Filończyk as her stalwart cousin, Lescaut, in a breathtaking Belle Époque staging by director Laurent Pelly.
One of today’s leading dramatic tenors, Brian Jagde takes on the tour-de-force title role of what many consider the ultimate Italian opera, live to cinemas worldwide. Verdi’s monumental Shakespearean tragedy also features soprano Ailyn Pérez in her company role debut as the long-suffering Desdemona, alongside baritone Artur Ruciński as the sinister Iago. Michele Mariotti leads the full forces of the Met Orchestra and Chorus in the exhilarating score.
A profound philosophical meditation on compassion and reconciliation, this transcendent rendering of a medieval knight’s heroic quest for the Holy Grail returns in François Girard’s celebrated production, a “thoughtful and intrepid staging, full of striking imagery” (The New York Times). Met Music Director Yannick Nézet-Séguin conducts a cast of Wagnerian superstars, including tenor Piotr Beczała in the title role, mezzo-soprano Elīna Garanča as the enigmatic Kundry, baritone Peter Mattei as the ailing Amfortas, bass-baritone Ryan Speedo Green as the sorcerer Klingsor, and bass Jongmin Park as the wise Gurnemanz.
Poster Carousel The Odyssey - Practical Magic 2 - Forgotten Island - Spider-Man: Brand New Day - The End of Oak Street - Tom & Jerry: Forbidden Compass - Insidious: Out of the Further - Digger - The Dog Stars - Harry Potter and the Philosophers Stone (25th Anniversary) - The Fast & the Furious - Spa Weekend - Stop That Train - Holy Days - Mutiny - Tina Arena: Unravel Me - & Sons - National Theatre Live: The Misanthrope
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